List of Posts
I’ve been enjoying the oddball music and physical comedy of the Maestrositites for a couple of years now, but didn’t want to write about them until I first did my Spike Jones post. I didn’t realize it would take me two years to get around to it!
No, not the very modern film and music video director Spike Jonze, but comedy musician and television variety star Spike Jones (1911–1965). My first introduction to the loony imagination of this latter-day vaudevillian was via audio tapes in the 1970s. I could only guess what his antics looked like, but it was funny enough, and I seem to recall my partner Fred Yockers and I sometimes using it as pre-show music. It certainly got us in the mood, if not the audience. Some material made it to VHS by the 1980s, and eventually to DVD, but The Best of Spike Jones is the first remastered, fairly definitive sampling of his work. It actually came out a couple of years ago and I bought a copy right away, fully intending to write a blog post on it “next week.” Well, better late than never….
If you’re in the world of magic, you’re no doubt already familiar with Yann Frisch, whose videos are going viral and whose many honors include winning French, European and World magic championships in the past few years. I, on the other hand, had never heard of him, but was schooled once again by Tanya Solomon, author of an earlier and very popular guest post for this blog on comedy magic.
I like to think of this blog as a hall of wonders, but what you are about to see — a web exclusive! — is a true marvel of sheer inventiveness and insane imagination in the noble cause of physical comedy.
I’ve returned from a long weekend in Chicago with ample evidence that Buster Keaton is alive and well. Or at least his ghost.
It’s almost Thanksgiving. Much to lament, much that needs fixing, much that can’t be fixed, but as always ever so much to be thankful for. Somewhere on that list be sure to include all the talented physical comedians who have left us such a wonderful legacy. And to that list I’m adding guest blogger Betsy Baytos, who once again is favoring us with some more insights and fantastic footage on the subject of eccentric dance. —jt
My October series honoring the 72nd birthday of the late, great “itinerant fool” Ken Feit included a post on his incredible travel journals, reproduced in the form of three PDFs. At the time I mentioned that I was still missing the holy grail letter, the one about his most ambitious trip, a seven-month, around-the-world journey that took him and San Francisco street juggler Ray Jason from the U.S. to England, Scotland, France, the Netherlands, Germany, Poland, Russia, Japan (via the trans-Siberian Express), Korea, Taiwan, the Philippines, Thailand, Burma, Hong Kong, Malaysia, Singapore, Indonesia (including Bali), China, Australia, New Zealand, and French Polynesia. Phew!
We continue our series of popular guest posts on eccentric dance by Betsy Baytos with a piece on the multi-talented Red Skelton. I was actually on his show (in a skit with Jackie Gleason!) a few days after my seventh birthday, and 28 years later he consented to be honorary chairperson of the first NY International Clown-Theatre Festival, but (unlike Betsy) this time around I did not get to meet him. Click here for all of Betsy’s posts on eccentric dance. —jt
British television comedian Benny Hill made a long career out of sight gags, British musical hall routines, and leering sexual humor. Other than his trademark Yakety Sax sped-up chase scenes, however, you wouldn’t necessarily think of him as a very physical comedian… and this skit probably won’t change your mind. “Scuttle’s Keep Fit Brigade” has some fun with acrobatics, but that’s about it. Like most of Hill’s work, very uneven, some good bits, nothing great, but at least there’s a lot crammed into a short amount of time. In other words, modern television.
Pop quiz: What do King Kong and eccentric dance have in common? I had no idea, but it turns out the missing link is Andy Serkis, known to millions as Gollum in Lord of the Rings and The Hobbit, as the giant ape in King Kong, as the chimpanzee Caesar in Rise of the Planet of the Apes, and as Captain Haddock in The Adventures of Tintin. Millions except for me, that is, but now thanks to our resident eccentric dance expert, Funny Feet director, and guest poster Betsy Baytos, I am being properly schooled. In addition to voicing these characters, Serkis’ body language and facial expressions were digitized by means of motion capture technology and formed the basis for animating each one of them. Not surprisingly, this leading motion capture actor with the circus name is also a student of eccentric dance. Take it away, Betsy! —jt
I did a post on flair bartending a while back, but have never seen anything like this. Thanks to Jeff Seal for the link.
Duck Soup is my favorite Marx Brothers movie, but it was not a big box office hit. I loved the satire and anarchy, but the general public apparently less so. The reaction of Irving Thalberg at MGM was next time to bring in playwright George S. Kaufmann (You Can’t Take It with You) and give the boys a script where they’d have more pompous (and nasty) straightmen to do battle with. The happy result was the mega hit, A Night at the Opera.
Here’s a short, award-winning partner acrobatic piece in the style of nouveau cirque, performed by Yannick Thomas and Grégory Arsenal, both products of French and Québecois circus schools. This isn’t physical comedy, but what works for me — besides the high level of precise skill — is the theatrical idea of the acrobatics happening to the characters rather than just being presentational. This isn’t consistently the case throughout, but when it works it is stunning.
I am excited to be continuing with our series of guest posts by eccentric dancer Betsy Baytos, whose Kickstarter campaign to complete a fabulous documentary film, Funny Feet: the Art of Eccentric I hope you will join me in supporting.
As you can see from the article below, Betsy truly knows her stuff. In fact, I doubt there’s anyone else out there who comes close to matching her personal work experience in eccentric dance and in animation, combined with years of thorough historical research and tireless dedication to the project. In this installment, you will read how the comic moves of eccentric dancers were directly translated into famous animation characters. Amazing stuff! —jt
TRANSLATE THIS PAGE
Workshops & Other Events
My first book (1976)
My book Clowns has long been out of print, but you can borrow it for two weeks at a time from the Internet Archive. More information is available here.
My second book (2015)
Visual and verbal humor for the cognitively and artistically curious! Available here.
“A book to treasure!”
—Bill Irwin