Tag: Bill Irwin

I must admit I feared a let-down might await me last night as I went to see the new Bill Irwin / David Shiner production, Old Hats. Too much talent! Expectations way too high!! Plus weren’t these guys turning 63 and 60 this year?

I am pleased to be able to introduce a new contributor to this blog who, like my other guest writers, knows a lot of stuff that I don’t. Ashley Griffin is a writer, actor, singer, and dancer whose expertise is in the area of musical theatre, the history of which she has taught at New York University. She has performed on- and off-Broadway as well as in Los Angeles, Chicago, and London. Her plays have been produced off-Broadway, in L.A, and Chicago, and she is most well known as the creator of the pop-culture phenomenon Twilight: The Unauthorized Musical Parody. Ashley has a long-time interest in circus, clowning, and physical comedy, and one of her current projects is a collaboration with Joel Jeske on a physical comedy version of Alice in Wonderland. — jt

I suppose I could write a post about the virtues and limitations of mime training, but this isn’t it. Sure, I took a smattering of classes, studying with Reid Gilbert, René Houtrides, Tom Leabhart, and Moni Yakim (and salivating over Children of Paradise), but I never really took to mime. (Translation: I sucked at it.) So instead of a treatise, just a few hopefully amusing snapshots of mime’s public image over the years.

Brian Bernhard recently did a Facebook post sharing this funny Sesame Street Elmo’s World video of Bill Irwin as Mr. Noodle. With the help of Mr. Wiggles and Leon Chesney, the milquetoast Noodle overcomes his inhibitions and embraces his inner hip-hop dancer. I especially like how Wiggles & Chesney wave their dance rhythm directly into Noodle’s body.

Okay, so I exaggerate ever so slightly, but I do want you all to know about TOFT, the Theatre on Film & Tape Archive at the NY Public Library for the Performing Arts, which I mentioned in my previous post. Located at Lincoln Center, it is definitely something to be grateful for this Thanksgiving!

Never content to rest on his clown laurels, nor to just stick with well-paying movie gigs, Bill Irwin has consistently returned to the stage to star in ingenious pieces of his own creation or to take on challenging works by Beckett, Brecht, Moliere, Fo, Feydeau, and Shakespeare.

An excerpt from the full-length show, introduced by Angela Lansbury. Great stuff, even if they lost out to Wendy Wasserstein’s The Heidi Chronicles. Thanks to Jango Edwards for the link.

In The Art of Laughter, which I reviewed three posts ago, Jos Houben tells you what’s funny, performs something to illustrate his theme, and then we do indeed laugh. All pretty straightforward. But there’s another kind of physical comedy lecture-demo featuring a less trustworthy narrator, where there’s a disconnect between lecture and demo, between our host’s pretentious words and silly actions.

In a previous and popular post, this blog had the privilege of sharing Karen Gersch’s paintings and drawings of classic clowns.  If you haven’t seen it, Do Not Pass Go and instead click here immediately!

In my previous post, The Fine Art of Impaling Oneself on Heavy Metal Objects, we saw knockabout artists from the past six decades knock into poles, pedestals, platforms, ladders, wire cable and, of course, the ground.  This time we take a gentler approach, with a sampling of “quick-change” comedians who have found ingenious ways to get dressed in public and, in the case of a chap named Keaton, an actual reason to do so.

This January I finally got back to San Francisco for a week, my first visit to the west coast in something like seven years; always flying out of the country instead of across it.

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My first book (1976)

My book Clowns has long been out of print, but you can borrow it for two weeks at a time from the Internet Archive. More information is available here.

My second book (2015)

Visual and verbal humor for the cognitively and artistically curious! Available here.

“A book to treasure!”
—Bill Irwin