When I started this blog more than two years ago, I thought one thing I would definitely do would be to get my book Clowns, long since out of print, up on the blog so all of you could access it for free. The problem is that doing so involves a lot of tedious work (scanning; optical character recognition; proofreading; layout; etc.), plus I wanted to provide supplementary material for each chapter. Ideally I would rewrite it to improve it (hey, I was 26 at the time!) and bring it up to date, but that possibility will have to wait until I retire, at which point I’ll probably prefer to do something that’s more fun.
Georges Feydeau’s 1897 farce masterpiece, La Dame de chez Maxim’s (The Lady from Maxim’s), at the Odéon National Theatre here in Paris was sold out this week, but that didn’t stop your intrepid reporter from splurging a whole 3 euros on a rush ticket for a partial view seat in the 2nd balcony. I’m not qualified to write a full-fledged review here, not having read the play in over 30 years and often finding the three and a half hours of French dialogue, as heard from my seat on the fire escape, going too fast for my ears. (Je le lis mieux que je l’écris; je l’écris mieux que je le parle; je le parle mieux que je l’entends.) However, even I could tell the production kicked ass, with especially strong performances from Nicolas Bouchaud as the husband and Norah Krief as a dancer from the Moulin Rouge.

My book Clowns has long been out of print, but you can borrow it for two weeks at a time from the Internet Archive. More information is available here.
Visual and verbal humor for the cognitively and artistically curious! Available here.
“A book to treasure!”
—Bill Irwin