The year was 1973 and I was a student at Ringling’s Clown College where, as part of the training, dean Bill Ballantine screened comedy films. Yes, this was the Dark Ages, still several years before the first VHS tapes and a full two decades before DVDs. I fondly remember sitting with the likes of Penn Jillette, Michael Davis, and Mike Bongar, devouring the works of W.C. Fields, the Marx Brothers, and other classics. One delightful oddity that caught my attention was a modern-day silent film comedy, Yoyo (1965), directed by and starring the French renaissance man, Pierre Etaix. Although Jacques Tati — another French master of the modern silent film — was to complete his last feature film the next year (Parade, 1974), neither he nor Etaix were exactly household names in the United States.
We all know how hard it can be for a Hollywood star to make ends meet these days, what with the economy and all, which is why so many famous actors and directors have to choose between waiting tables and doing Japanese commercials. These commercials are so demanding that only a select few choose to go this route. Thanks to guest poster Jonathan Lyons for alerting me to a practice that recalls the slave trade of centuries past.
The first movie comedy I saw starred Danny Kaye. I might have been 6 or 7 and I laughed so hard that I still remember thinking, gee, I didn’t know anything could make you laugh that hard. My first Jacques Tati movie was Playtime. I was 19 and in Europe for the first time and, despite a show biz childhood, I had seen little if any silent film comedy. I was amazed. I remember thinking, zut alors, I didn’t know you could do that! It was as if I had discovered a new art form.

My book Clowns has long been out of print, but you can borrow it for two weeks at a time from the Internet Archive. More information is available here.
Visual and verbal humor for the cognitively and artistically curious! Available here.
“A book to treasure!”
—Bill Irwin