Tag: Juilliard
I’m betting this has happened to you: You find an affordable place to rehearse, perhaps in a neighborhood that you can also afford to live in. Other artists who work large gravitate there. Pretty soon it becomes a pretty interesting neighborhood. More restaurants open up, maybe a couple of art galleries, and before you know it, it’s trendy. Everyone wants to live there… and many of them have a lot more money than you do. This of course is not lost on the real estate industry. Rents rise, not just a little, but by tenfold, and before you know it, you and your fellow artists can’t afford to live or rent space there so you move to the next neighborhood you can afford, a bit farther off the beaten track, a bit farther from public transportation, a bit seedier, maybe a bit less safe at night. And the process repeats… from Soho to Tribeca to Williamsburg to Bushwick to Ridgewood to small towns along the Hudson River…. change the names for your city, and there you are.
The notion that physical comedians and other movement artists might have something to teach traditional actors goes back at least a century, when such innovative directors as Jacques Copeau in France and Vsevolod Meyerhold in Russia hired accomplished clowns and variety performers as guest instructors. In the United States, this became a trend in the 60s and 70s as “experimental” theatres sought to break the confines of the fourth wall and Stanislavski method acting to forge more theatrical performance styles.
Tony Azito (July 18, 1948 – May 26, 1995) was a New York stage actor who most of you have never heard of because he didn’t have enough in the way of major movie roles before his untimely death from AIDS at the age of 46. I only saw Azito live twice, once in Pirates of Penzance and once in Richard Foreman’s Threepenny Opera. He was that rare combination of highly talented dancer, physical comedian, and character actor, a modern-day Ray Bolger.
TRANSLATE THIS PAGE
Workshops & Other Events
My first book (1976)
My book Clowns has long been out of print, but you can borrow it for two weeks at a time from the Internet Archive. More information is available here.
My second book (2015)
Visual and verbal humor for the cognitively and artistically curious! Available here.
“A book to treasure!”
—Bill Irwin