When I taught my first physical comedy workshop more than three decades ago, I called it “theatrical acrobatics,” by which I meant adapting and disguising acrobatic vocabulary in order to make it work believably for a character in a comic situation. Everything had to have cause and effect and look natural, not gymnastic. You could learn a lot from silent film comedy, circus clowning, contact improv, Pilobolus, and stage combat, but precious little of it was written down.

My book Clowns has long been out of print, but you can borrow it for two weeks at a time from the Internet Archive. More information is available here.
Visual and verbal humor for the cognitively and artistically curious! Available here.
“A book to treasure!”
—Bill Irwin