Tag: France

In the beginning (1889) there was Charlie Chaplin. And then it came to pass that 54 years later Chaplin took as his fourth wife 18-year-old Oona O’Neill, against the wishes of her father, playwright Eugene O’Neill. Despite the age difference they lived happily ever after and gave birth to eight children, the fourth being Victoria (born 1951).

This one has recently surfaced on Facebook and YouTube, but probably most of you haven’t seen it yet, so let’s add it to my early film collection, complete with all the background info.

I guess it’s a generational thing, but when I mention parkour to anyone over 40, I usually get a blank stare, which if nothing else makes me feel young and in the know. If you too are going “huh?” just think of those videos you’ve probably seen of ridiculously agile teenage daredevils — Spidermen without the web — jumping on, over and off walls, railings and other structures that get in their way. They are called traceurs presumably because they trace a path through space while leaving only a faint imprint.

Charley Bowers: The Rediscovery of an American Comic Genius
Co-produced by Image Entertainment (USA) and Lobster Films (France)
2-disc DVD; run time 149 mins.
2004

First Prize for Cello
produced by Pathé in 1907
Length: 2:43
from Europa Film Treasures

If the name Georges Méliès rings a bell at all, it probably makes you think of that wacky Trip to the Moon movie from the Dawn of Film that was okay in its time, but… that time was long ago. Yes, Méliès almost single-handedly invented special effects, pioneering such techniques as stop-action substitution, dissolves, multiple exposures, and time-lapse photography, in the process creating the science-fiction film genre, but nowadays his corny sense of humor, flimsy storytelling, and overuse of the same gimmicks make the work seem dated. In fact, it was out of fashion by the time the Keystone Cops came on the scene in 1912

As many of you know better than I, street theatre and circus are flourishing in Europe, thanks in no small part to government funding of the arts. The happy result is that it seems like every town has its street theatre festival, where you can spend the day or even a long weekend catching a wide variety of international performers and consuming a whole lot of calories. I think museums are okay in moderation, but hanging out at a performance festival, especially one outdoors, gives me a much better feel for a place and its people. The fact that it’s free doesn’t hurt either.

The first movie comedy I saw starred Danny Kaye. I might have been 6 or 7 and I laughed so hard that I still remember thinking, gee, I didn’t know anything could make you laugh that hard. My first Jacques Tati movie was Playtime. I was 19 and in Europe for the first time and, despite a show biz childhood, I had seen little if any silent film comedy. I was amazed. I remember thinking, zut alors, I didn’t know you could do that! It was as if I had discovered a new art form.

Georges Feydeau’s 1897 farce masterpiece, La Dame de chez Maxim’s (The Lady from Maxim’s), at the Odéon National Theatre here in Paris was sold out this week, but that didn’t stop your intrepid reporter from splurging a whole 3 euros on a rush ticket for a partial view seat in the 2nd balcony. I’m not qualified to write a full-fledged review here, not having read the play in over 30 years and often finding the three and a half hours of French dialogue, as heard from my seat on the fire escape, going too fast for my ears. (Je le lis mieux que je l’écris; je l’écris mieux que je le parle; je le parle mieux que je l’entends.) However, even I could tell the production kicked ass, with especially strong performances from Nicolas Bouchaud as the husband and Norah Krief as a dancer from the Moulin Rouge.

Chapter 5 from my book, Clowns: A Panoramic History
One more background piece. This chapter from my 1976 history of clowns dealt in detail with the development of physical comedy in the nineteenth century and, ultimately, its influence on American silent film comedy. Good stuff!

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My first book (1976)

My book Clowns has long been out of print, but you can borrow it for two weeks at a time from the Internet Archive. More information is available here.

My second book (2015)

Visual and verbal humor for the cognitively and artistically curious! Available here.

“A book to treasure!”
—Bill Irwin